In short, the buildings which have become known as follies do nothing more than reflect human nature and taste and, before we judge the motives of their builders, we might be well advised to examin ethe fancies and conceits which lurk within our own minds and personalities.
Stuart Barton
Monumental Follies.
Showing posts with label Folly Book. Show all posts
Showing posts with label Folly Book. Show all posts
4.09.2007
4.02.2007
Folly
Above text taken from the blurb on the back cover of Follies Grottoes and Garden Buildings by Headley and Meulenkamp, Aurem Press, 1999
A name given to any costly structure considered to have shown folly in the builder,
- Shorter Oxford English Dictionary
But it's much, much more than that. The folly, particularly in Britain, is an attitude, a statement, a style, a fashion, a passion, a different world. . .
Follies may be found all over the world, but the British were first to recognise their worth and importance. . .
Gwyn Headley and Wim Meulenkamp have spent over thirty years reasearching 'rogue architecture'. They are co-founders of the Folly Fellowship.

3.01.2007
Folly history bristles (as it should) with thorny queries. Just as no one can account for the ninteenth - century revival of interest in tilting (Sir Walter's Disease; said Mark Twain), no one really knows why a certain man will devote twenty years to surfacing he house with crockery shards and teapot lids; no one can fully share the squires impulse to retire to his own Toad Hall, or somebody's longing for a battlemented bicycle shed at the bottom of his garden, or something very nasty to gothicize his woodshed.
Page 11, Follies, Ed Sir Hugh Casson.
Page 11, Follies, Ed Sir Hugh Casson.

Page 8, Follies, Ed Sir Hugh Casson.
Painting by Paul Brason
http://www.paulbrason.co.uk/index.htm
Let nobody please bother to ask 'What is it for?' For to that question there is only one answer. The mark of a true folly is that it was errected simply to satisfy and give pleasure to it's builder and to use Sansovino's words 'greatly surprize the stranger'. There could be not better aim or epitaph for any buildings, nor, for any publication.
Foreword, Follies, Ed Sir Hugh Casson.
Foreword, Follies, Ed Sir Hugh Casson.
“Influence is a sufficiently difficult word to use of professionals, who, one can be reasonably certain, do see another’s work. But with follies, everything is so unsure; Vanbrugh, Hawksmoor and Kent built some of the very earliest follies, and then the amateurs largely took over, and who knows what they saw and worked for, with whose aid and how; it is easy to oversimplify, and follies are by no means simple but the result of many fuddled ‘influences’.”
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